The Red Mesh Ruse

With Christmas around the corner, mandarins and oranges start popping up everywhere. In supermarkets, you’ll often find oranges wrapped in red mesh bags. But that choice isn’t just for looks—it’s a clever sales trick.

Why red mesh? It’s a simple way to make oranges seem more appealing to our eyes and brains, even if the fruit is a bit lackluster. Scientists have studied this phenomenon, which they call the “Confetti illusion.” Arriving fashionably late to the scene, they discovered the visual effect caused by the red mesh bag. They’ve given it the grand name “perceptual ripening of oranges,” but let’s be real—it’s just color assimilation doing the work.

Color assimilation is when different hues blend in our perception, changing how we see things. In this case, the red mesh combines with the actual color of the fruit (fig. A), making the oranges look brighter and more appealing (fig. B)—a little trick on the eyes.

Scientists recently confirmed what artists and salespeople have known for centuries: color assimilation can shape how we see things, especially in shopping. The illusion works because most people trust what they see without taking a closer look. But once out of the red mesh, the oranges often aren’t as shiny or ripe as they first appeared.

Curious to learn more about how color influences perception? Check out my color research and visual experiments on my Behance page.

The Importance of Dots

It is often the little things that are the basis of progress… So let me tell you a little story about the tiniest thing on earth: the dot.

Thousands of years ago, a man in his solitude scanned the night sky and saw all those dots shining like so many still fireflies, and, perhaps for fun, he decided to join them together to form shapes. This is how zodiac signs and astronomy were born.

Far away, in ancient India, the dot symbolized beauty and the eye of knowledge. But even more, the dot they called “shunya-bindu” (शून्यबिन्दु) represented what we nowadays know as zero. It was first a placeholder and then a fully fledged number, for when it is added to the right of the representation of any given digit, the value of the digit is multiplied by ten. This is how our current numbers and decimal numeration system were born.

While drawing or painting, visual artists of all times used to fix a dot – or more specifically a point in space – which was traditionally visualized from the tip of their thumb. Eventually, when this point receded so far away in space, it became known as a “vanishing point”. A vanishing point is where all converging lines of a landscape meet at the horizon. This is how perspective and geometry were born.

One day, medieval musicians were tired of having to rely solely on their memories to remember songs. So they started to use dots, named “puncti”, placed on or between four lines to represent the pitch and duration of a sound. This is how musical notation and programming were born.

In the modern era, at the beginning of the nineteenth century, dots were used in many other symbolic forms: bumps, holes, single tones, flashes of light… Do the terms Braille, Morse, punched card, or pixel sound familiar to you? This is how communication and coding were born.

This is how the humble dot, often overlooked, has served as a fundamental building block for countless advancements throughout history. Never underestimate the power of small things; within a dot was the whole universe.

Bridget Riley, White Discs 2, 1964, emulsion on board, 41 × 39 inches (104 × 99 cm) © Bridget Riley 2021. All rights reserved.

(The text above has been used as foreword for the book “The All-Round Activity Book” available from Amazon)

Perceptual Nexus: A new philosophy of perception

Presenting a sneak peek of my upcoming philosophical book on perception.

In this exploration, I dissect the dynamic interplay between our “self,” the elusive “perception sphere,” and the external world. Operating independently, the perception sphere lacks self-awareness, creating a symbiotic relationship with the self, which, in turn, relies on the sphere for perceiving both itself and the external world.

Eager to discuss further with potential publishers.

The Master of Numbers

Presenting “The Master of Numbers,” my acclaimed artwork. This photomosaic portrait, assembled from 288 random number-themed photos, creates a captivating optical illusion, revealing the image of a great physicist from a distance.

Currently showcased in numerous Museum of Illusions globally, posters and prints of this optical art can be found on my online store.

einstein large Continue Reading →

Globes within Spirals? (Optical Art Tutorial)

© Gianni A. Sarcone – redbubble.com

Are you seeing spirals? Look again, they’re actually concentric circles! This unique variation of the “Fraser spiral” plays tricks on your eyes by blending a regular line pattern (representing the circle’s circumference) with misaligned elements (the spheres with varying brightness).

Would you like to learn how to create this mesmerizing illusion? Follow my simple visual tutorial. If you have any ideas to further enhance this project, please don’t hesitate to reach out.

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The Enigmatic Color of the Sun

Is yellow the true color of the sun? Our sun emits a broad spectrum of radiation, including visible light, which is crucial for life on Earth. In the vacuum of space, the sun appears white because it emits light across all wavelengths fairly evenly. However, when this light enters our atmosphere, it encounters air molecules and particles that scatter shorter wavelengths—primarily blue light—more effectively than longer wavelengths like red and yellow.

color of the sun

Simultaneous Color Contrast Explained…

Consider a small, clear disc placed against a blue background. The disc may appear slightly yellow due to the influence of the blue light surrounding it. This visual effect is similar to how we perceive the sun against the blue sky.In essence, while the sun itself emits white light, our atmosphere alters its appearance, leading us to see it as yellowish or orangish at times.

Additionally, not all species perceive colors in the same way. Different animals have varying sensitivities to wavelengths of light. This means their experience of color and light can be quite different from ours.

For more fun facts about color perception and optical illusions, visit Archimedes Lab.

BLURRED FACES AND CONTRAST ADAPTATION

Do our eyes truly act as the gateway to the world, as poets suggest? Not quite. We see the world through tiny pupils that act as spy holes. Our brain is like a creative ‘camera obscura‘, constantly comparing differences between images received by each eye and individual elements within each image. This makes our eyes highly sensitive to contrasts in brightness, sharpness, and depth. Sometimes, our brain tries to correct what we see.

Try this experiment: Look at the blurry face below next to the sharp one for 20-30 seconds (staring at the fixation star between them), then quickly shift your gaze to the same scene further below. You’ll notice that the previously clear face now appears blurry while the previously blurry face appears clearer. This illusion, called contrast adaptation or contrast gain control, occurs because prolonged exposure to blurry images affects our visual acuity and sensitivity to contrast.

blurred faces and contrast adaptation
© Gianni A. Sarcone

Enlightening Exhibition

Per celebrare la luce è stato realizzato un percorso espositivo nell’Università di Firenze dedicato alle illusioni ottiche. La mostra, curata da un comitato scientifico, ospita anche molte delle mie opere.

To celebrate light, an exhibition’s itinerary was created at the University of Florence to explore the world of optical illusions. The exhibition, curated by a scientific committee, also hosts many works of mine.

Maggiori informazioni / More information

Illusive Color Mixing

When your brain lies… There is NO yellow, nor red, nor green in the picture below! The only real colors are blue, cyan and magenta. Scientists and artists call these color induction effects “simultaneous color contrast” and “color assimilation”.

Concept taken from my book “Drawing Optical Illusions” (2010).
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