The Importance of Dots

It is often the little things that are the basis of progress… So let me tell you a little story about the tiniest thing on earth: the dot.

Thousands of years ago, a man in his solitude scanned the night sky and saw all those dots shining like so many still fireflies, and, perhaps for fun, he decided to join them together to form shapes. This is how zodiac signs and astronomy were born.

Far away, in ancient India, the dot symbolized beauty and the eye of knowledge. But even more, the dot they called “shunya-bindu” (शून्यबिन्दु) represented what we nowadays know as zero. It was first a placeholder and then a fully fledged number, for when it is added to the right of the representation of any given digit, the value of the digit is multiplied by ten. This is how our current numbers and decimal numeration system were born.

While drawing or painting, visual artists of all times used to fix a dot – or more specifically a point in space – which was traditionally visualized from the tip of their thumb. Eventually, when this point receded so far away in space, it became known as a “vanishing point”. A vanishing point is where all converging lines of a landscape meet at the horizon. This is how perspective and geometry were born.

One day, medieval musicians were tired of having to rely solely on their memories to remember songs. So they started to use dots, named “puncti”, placed on or between four lines to represent the pitch and duration of a sound. This is how musical notation and programming were born.

In the modern era, at the beginning of the nineteenth century, dots were used in many other symbolic forms: bumps, holes, single tones, flashes of light… Do the terms Braille, Morse, punched card, or pixel sound familiar to you? This is how communication and coding were born.

This is how the humble dot, often overlooked, has served as a fundamental building block for countless advancements throughout history. Never underestimate the power of small things; within a dot was the whole universe.

Bridget Riley, White Discs 2, 1964, emulsion on board, 41 × 39 inches (104 × 99 cm) © Bridget Riley 2021. All rights reserved.

(The text above has been used as foreword for the book “The All-Round Activity Book” available from Amazon)

Globes within Spirals? (Optical Art Tutorial)

© Gianni A. Sarcone – redbubble.com

Are you seeing spirals? Look again, they’re actually concentric circles! This unique variation of the “Fraser spiral” plays tricks on your eyes by blending a regular line pattern (representing the circle’s circumference) with misaligned elements (the spheres with varying brightness).

Would you like to learn how to create this mesmerizing illusion? Follow my simple visual tutorial. If you have any ideas to further enhance this project, please don’t hesitate to reach out.

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“Infinity”, A Kaleidoscope of Squares

With this work, I aim to push geometry to its limits, transcending the confines of color. My goal is to showcase the creative potential of simple concentric squares as a medium for experimentation and the discovery of new op art patterns. By delving into this exploration, I strive to unveil captivating illusions of color and mesmerizing motion.


Draw a large and a small square with thick lines and center them (Fig. A). Next, blend the inner and outer squares in six steps to create a set of concentric squares. Reproduce the set to form a larger square pattern, as shown in Fig. B.

“Enigma”, Paradoxical Volumes

In these minimalist op art pieces, I delve into the metaphoric realm of geometric shapes, with a particular focus on the hexagon as the foundational element for creating cubes and other simple three-dimensional regular shapes.
The artworks I present depict solid or three-dimensional structures that appear plausible and real, yet are in fact illusions known as ‘impossible figures.’ However, discerning these impossible figures isn’t immediately evident; one must concentrate on specific areas of the representation to grasp that they could never exist in reality! Drawing an impossible stereographic structure becomes achievable by merging two or more contrasting viewpoints or perspectives of the same object, or even by blurring the boundaries between the exterior and interior of an object…
The more ‘normal’ and ‘simple’ an impossible figure appears, the more captivating it becomes! Indeed, impossible objects aren’t created solely to bewilder the eyes; their purpose lies in confounding the mind and challenging one’s acquired visuo-spatial skills and stereographic knowledge.

Enigma 1: Available as prints and t-shirts.

The two intricate drawings displayed above and below combine two tribars to form an impossible isometric cube, showcasing a mesmerizing interplay between form and illusion.

Enigma 3: Available as prints and t-shirts.

Scintillating Starburst: Seeing rays that aren’t there…

This is one of my oldest illusions I created in the 90s. In the picture you may see ghostlike dark radial beams. This illusion is a variant of the Herman’s scintillating grid illusion. I designed this illusion just by turning 45 degrees the Herman grid and then by applying a polar transformation.

From my book “Eye Tricks“, 2001-2007.
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My dossier on visual illusions

Focus is an Italian monthly popular science magazine published in Milan, Italy, with which I have collaborated for more than 10 years.

Focus Magazine issue #336 featuring my article and my optical illusions has been released on October 2020. It contains my special 10-page dossier on visual perception with over 13 original visual illusions of my creation and their related explanation.

The cover also features a special effect I designed for Focus: as you read the main title, the cover image moves and, curiously enough, the title changes if you look at it closely (ILLUSIONI) or from a distance (COSA VEDI?).

Focus Mag cover

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Frankenstein’s Dream: Hybrid Picture

Frankenstein Marylin

This intriguing image is taken from my book “Curiopticals“. Look at Frankenstein from a certain distance – approximately 2-3 meters, or 7-8 feet – and you will see what he is dreaming about. This type of illusion is known as a cryptic or hybrid optical illusion, and is produced by merging two subjects with different resolutions. The result is that one subject is hidden or suggested in the ‘host’ image. Continue Reading

How To Draw Incredible Illusions, a cook-book for artists and designers

After the success of my book “Drawing Optical Illusions“, I was commissioned by Imagine Publishing for a new tutorial book project titled “How To Draw Incredible Optical Illusions” [You can get this book from Amazon US  and Amazon UK]

My book dissects the most fascinating and confounding black and white optical illusions, patterns and tiling, explaining in a concise fashion how they work, how to design and create them, and how to personalize and play with them to your heart’s content. With accessible yet fascinating text and workable samples, this intriguing art ‘cookbook’ is appropriate for graphic designers, teachers, artists, art lovers and the curious who enjoys contemplating how the mind works and how the eye sees. Continue Reading

You Can’t Possibly Color This!

You_cant_possibly_color

An Impossible Optical Illusion Activity Book

No mere coloring book, You Can’t Possibly Color This! is an eye-spinning experience that will inspire and astound. That’s because you’ll be coloring in optical illusions — things that can only exist on the page. With a just a few tips, you’ll be coloring in things that will bulge, expand, and even rotate. Other objects will leave you confused as you try to figure out the “trick,” while mandalas, complex patterns, and labyrinths will mesmerize you. Also included are fun activities for drawing and creating your own optical illusions.

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How To Draw Incredible Optical Illusions

This is one of my favorite book projects commissioned by Imagine Publishing.
[You can get this book from Amazon US or Amazon UK]

This book dissects the most fascinating and confounding black and white optical illusions, patterns and tiling, explaining in a concise fashion how they work, how to design and create them, and how to personalize and play with them to your heart’s content. With accessible yet fascinating text and workable samples, this intriguing art ‘cookbook’ is appropriate for graphic designers, teachers, artists, art lovers and the curious who enjoys contemplating how the mind works and how the eye sees.

In the excerpt below I explain how to create a self-moving pattern. Continue Reading