Art

Apparition: The Face That Transforms

Gianni Sarcone

I’m pleased to announce that my work Apparition will be featured in the 6th volume of Taschen’s Library of Esoterica, set to release in early 2025.

This portrait, created by combining photographs of 50 different human faces, presents a ghostly image that endlessly shifts its features as you look at it. The effect is driven by the neural adaptation phenomenon, similar to Troxler fading, along with the brain’s face-recognition circuits, which complete the image.

You can explore this piece and more with prints available from my online gallery.

For a deeper dive, visit Spirit Worlds here to explore art, rituals, and myths from hidden realms.

Van Gogh and the Path to Abstraction

Gianni Sarcone

In the painting La Maison Blanche, la Nuit (1890), Vincent van Gogh’s vivid brushstrokes, layered over background hues, give the artwork a surreal dimension. His late works are marked by these expressive strokes, almost like vectors of the soul, stirring and expanding the space within his compositions.

La Maison Blanche, la Nuit, 1890, Vincent van Gogh, in the Hermitage Museum.

Had Van Gogh shifted toward a greater focus on minimalist expression rather than detailed representation, his work might have evolved in a more abstract direction. This evolution could have shared similarities with pioneers like Kandinsky and Mondrian, particularly in their use of pure form and color. However, Van Gogh’s distinct style would have likely led him toward a more organic abstraction, where his vibrant palette could have become swirling, interlacing forms—creating a dynamic sense of color and movement that might have hinted at the future development of Abstract Expressionism.

My Dossier on Visual Illusions: A Special Feature in Focus Magazine

Gianni Sarcone

For over 10 years, I’ve had the pleasure of collaborating with Focus, an Italian monthly popular science magazine published in Milan.

In October 2020, Focus released issue #336, which featured my article and optical illusions. This special edition included a 10-page dossier on visual perception, showcasing over 13 original illusions I created, complete with explanations.

The cover of this issue also featured a unique effect I designed for Focus. As you read the main title, the cover image moves, and, intriguingly, the title changes depending on your perspective—read closely, and it says ILLUSIONI; look from a distance, and it transforms into COSA VEDI?

Focus Mag cover

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