Sarcone: The Willow

My surname Sarcone, attested as early as circa 1150, may reflect a phytotoponym derived from the Latin salix, salĭcis, “willow,” with the collective or augmentative suffix -ōne. A possible evolution is salicōne → salicone → sar(i)cone, through the phonetic changes that shaped the name over time.

I like to think that my name is connected to nature, and especially to this magnificent tree: the willow. The willow has always fascinated me for its resilience, flexibility, and capacity for renewal. It bends without breaking, withstands the wind, and grows back vigorously after being cut. Its strength comes from its flexibility.

That symbolism speaks to me. Life constantly changes, and resisting every change is not necessarily a sign of strength. Sometimes you have to bend, adapt, and keep going without losing your roots.

The willow is also traditionally associated with the cycles of the Moon, imagination, dreams, intuition, and flexibility of mind. I find these associations particularly fitting, since much of my work concerns perception, imagination, and the strange ways in which the mind constructs what we call reality.

My name also has an ancient Indo-European root. Salix is related to the Indo-European root *səlik, with cognates such as Greek helíkē and related forms in Celtic and Germanic languages.

I like the idea that a surname can carry such a long memory. A few letters inherited from the past can still evoke a tree, its roots, its branches, its movement in the wind—and, in some small way, the person who carries its name.

Sarcone: the willow. Rooted, flexible, resilient, and always capable of growing again.

Dynamic Müller-Lyer Illusion

Prize illusion sarcone

I am very proud that my “Dynamic Müller-Lyer Illusion” won the third prize as best illusion of the year 2017!

As you surely know, the “BEST ILLUSION OF THE YEAR CONTEST” is a yearly competition under the patronage of Scientific American, organized by the Neural Correlate Company (New York, USA).

Müller-Lyer’s illusion proves that a segment can visually appear longer or shorter depending on the sense of the arrow heads at its ends. In what consists my variant? As shown in the animation, the red dot in the middle of the line is equidistant from the other two red dots, although the ends of the line visually appear to alternately stretch and shrink like a rubber band!

The radial version of the illusion is even more impressive:

The perceptual increasing and decreasing of the segments occurs in a very short time. Thus, I suppose it is more a physiological phenomenon, rather than a psychological bias. Our attention seems to be attracted by the receptive field WITHIN the V-shaped arrow heads, causing an illusory inward or outward shift of the ends of the line.

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