Topsy-Turvy Illusions from the Past

“The Lawyer and the Client” (1790), an etching by John Kay, is a clever visual joke—and a rather pointed one about the legal profession.

The Lawyer and the Client - Etching

Look at it one way and you see a smug lawyer. Turn it upside down and the same face becomes a worried client. A simple rotation changes the character completely, showing how appearances—and perhaps even justice—can depend on the point of view.

Below, another of Kay’s reversible caricatures: “Before and After Marriage.”

Before and After Marriage - Etching

John Kay (1742–1826) was a Scottish caricaturist and etcher known for his satirical portraits of Edinburgh society. Topsy-turvy caricatures were popular in the 18th and 19th centuries because they combined visual wit with social criticism, hiding two meanings in a single image.

Swedish Chiaro-Scuro

“Bathers”, incredible etchings by Swedish artist Anders Zorn (1860-1920). Zorn pursued light as the guiding principle of his art. The expression of light on the human form and his beloved homeland was the foundation of his work, and drove him with an intensity visible in the details from his multiple etchings.
Magnifiques eau-fortes (dessins au trait) par l’artiste suédois Anders Zorn.

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