History

Dalí’s Living Skull

Gianni Sarcone

Salvador Dalí : Sept corps nus et un crâne, 1951 (Human skull consisting of seven naked women).

Often symbols of MORTALITY (or some romantic notion of immortality – as the belief that a spiritual part of a person survives death) and POWER, skulls have been employed in human rituals and art since the dawn of humanity: from the ancient animal skulls in Paleolithic burial sites, to the curlicued cattle skulls that haunt Georgia O’Keeffe’s canvasses. Skulls cannot be assumed to be only a mere symbol of death, they are also used in initiation rituals as a symbol of REBIRTH, symbolizing the ‘sephirah daath’ (סְפִירָה – sephirah, “enumeration” in Hebrew) on the cabalistic tree of life, the gateway to a higher awareness only achievable through spiritual death and rebirth.

Read more

Early Projector

Gianni Sarcone

This Roman artifact is considered a possible precursor to the magic lantern. According to the Italian engineer and author Flavio Russo, placing the flame of a candle or small lantern behind the elliptical lens could project the image or portrait painted on its surface onto a white wall, operating on the same basic principle as modern slide projectors. A comparable concept was later explored in the 17th century by Athanasius Kircher, who demonstrated the projection of images using light and lenses—an early step toward the development of the magic lantern.

elliptic lens with portrait
Portrait on an elliptic lens, artifact from Pompei – Naples National Archaeology Museum.