I’ve always been drawn to impossible objects—those forms that slip between logic and illusion, never fully settling into one or the other.
This piece grew out of an old idea I felt compelled to revisit, almost as if reopening a long-forgotten door. A binary door, in fact—one that leads to two distinct worlds. Depending on how you look at it, it shifts, tilts, and reveals something else.
It starts with pencil on paper. A loose, intuitive phase where the form finds its way. From there, I move into FreeHand MS—an old tool I’ve never quite let go of. It still gives me a certain precision and feel I can’t replace. Finally, I refine the piece in Photoshop, adjusting, balancing, pushing it toward that delicate point where everything holds together.
There’s still work to be done. Something remains unresolved—but maybe that tension is part of what keeps it alive.