In 1997, I remixed the Leonardo da Vinci’s famous painting Mona Lisa into 142 perfectly spaced color beads placed at the intersections of an imaginary two-dimensional triangular network. Close up, the picture of the set of beads makes no sense, but if you see it from a distance you will perceive (or at least ‘guess’?) the portrait of Mona Lisa, the most famous Leonardo Da Vinci’s painting.
“Deep Blue”, the yellowish rays you see in this picture are a construct of your brain. My op art work is available as prints from Saatchi Art gallery.
Salvador Dalí : Sept corps nus et un crâne, 1951 (Human skull consisting of seven naked women).Continue Reading
Focus is an Italian monthly popular science magazine published in Milan, Italy, with which I have collaborated for more than 10 years.
Focus Magazine issue #336 featuring my article and my optical illusions has been released on October 2020. It contains my special 10-page dossier on visual perception with over 13 original visual illusions of my creation and their related explanation.
The cover also features a special effect I designed for Focus: as you read the main title, the cover image moves and, curiously enough, the title changes if you look at it closely (ILLUSIONI) or from a distance (COSA VEDI?).
Here is a neat optical illusion project I was commissioned by “Art of Play“. From one perspective, the grooves in the metal die-cut bookmark seem to be an abstract design but place the pattern against a solid background and a familiar figure pops into view!
Available from: https://www.artofplay.com/products/einstein-bookmark
My recent work “The Master of Numbers” is a photomosaic portrait of Albert Einstein made with random numbers. Can you guess how many times does the number 42 appear in the picture?
It is currently exhibited in many Museum of Illusions all around the world. Posters and prints of this optical art are available from my online store.
Here are two projects involving the geometrical-constructive art of Piet Mondrian, one of my preferred artists, the golden ratio and ϕ. For this purpose, I used the same color palette favored by Mondrian: yellow, red, blue, black and gray.
Mondrian meets Pythagoras and Fibonacci
In the first project, I used squares, that are proportional to each other by the golden ratio or ϕ, to prove the Pythagorean theorem as shown in the Zhoubi Suanjing (or Chou Pei Suan Ching – 周髀算經), one of the oldest Chinese mathematical texts (circa b.c. 200).