“Deep Blue”, the yellowish rays you see in this picture are a construct of your brain. My op art work is available as prints from Saatchi Art gallery.
This is one of my oldest illusions I created in the 90s. In the picture you may see ghostlike dark radial beams. This illusion is a variant of the Herman’s scintillating grid illusion. I designed this illusion just by turning 45 degrees the Herman grid and then by applying a polar transformation.Continue Reading
Curiously enough, the cubes don’t move only the background color changes…
Here is my tutorial to create an amazing autokinetic animation.
Here are two projects involving the geometrical-constructive art of Piet Mondrian, one of my preferred artists, the golden ratio and ϕ. For this purpose, I used the same color palette favored by Mondrian: yellow, red, blue, black and gray.
Mondrian meets Pythagoras and Fibonacci
In the first project, I used squares, that are proportional to each other by the golden ratio or ϕ, to prove the Pythagorean theorem as shown in the Zhoubi Suanjing (or Chou Pei Suan Ching – 周髀算經), one of the oldest Chinese mathematical texts (circa b.c. 200).
I really love puzzle with less pieces as possible and with a contemporary design… This neat three-piece puzzle has been invented by Robert Reid and designed by puzzle-master Oskar van Deventer. The fit of the puzzle is perfect, though assembly can be really challenging.
An op art sculpture and/or a fidget puzzle to play with over and over!
“Dynacube” is a new line of 3D puzzles featuring my optical art. It isn’t just a puzzle but also a living piece of art. This 3D game is available in 4 distinct styles from Recent Toys: http://www.recenttoys.com/project/dynacube/
Dynacube is a fun game for kids and adults alike to practice their logical thinking and motor skills.
I am very proud that my “Dynamic Müller-Lyer Illusion” won the third prize as best illusion of the year 2017!
As you surely know, the “BEST ILLUSION OF THE YEAR CONTEST” is a yearly competition under the patronage of Scientific American, organized by the Neural Correlate Company (New York, USA).
Müller-Lyer’s illusion proves that a segment can visually appear longer or shorter depending on the sense of the arrow heads at its ends. In what consists my variant? As shown in the animation, the red dot in the middle of the line is equidistant from the other two red dots, although the ends of the line visually appear to alternately stretch and shrink like a rubber band!
The radial version of the illusion is even more impressive:
The perceptual increasing and decreasing of the segments occurs in a very short time. Thus, I suppose it is more a physiological phenomenon, rather than a psychological bias. Our attention seems to be attracted by the receptive field WITHIN the V-shaped arrow heads, causing an illusory inward or outward shift of the ends of the line.
Inspired from the astrological tables, here is a new puzzle of my creation designed according to the ‘Golden Number Rules’, which is reflected in the proportion of each single piece of the game. Thanks to the balanced dimensions of its pieces, this puzzle acquires some intriguing magical properties!
This “math-magical” puzzle is composed of a tray in which the pieces are assembled.
I am working on a new two-dimensional variant of the Müller-Lyer illusion… You may be surprised to know that the Müller-Lyer illusion isn’t only linear: it involves plane geometry too! In fig. A shown below, the ends of the blue and red collinear segments, arranged in a radial fashion around a central point, delimit two perfectly concentric circles. However, for most observers, they seem instead to define a large ovoid that circumscribes another one, slightly eccentric (Fig. B). This comes from the fact that the red segments seem to stretch towards the lower part of the figure, while the blue segments seem to stretch towards the upper part of the same. As you can see, in this variant comes also into play the “neon color spreading” effect. In fact, a bluish inner oval-like shape appears within the black arrow heads (Fig. A), though the background is uniformly white.
Sometimes, man lets himself go to this abstracted ‘diversion’, which involves assembling or arranging pieces, counters or any small familiar object. This compulsive behavior is evidence of a geometrical sense, which is natural and irrepressible. This is the same behavior, which drives some birds instinctively when they collect and group shells, glittering or colored objects to lavishly decorate their bowers. So, assembling and arranging objects is not only a cerebral activity but, indeed, a primitive geometric urge.